Denouement | | What an actor wears to evoke the appearance of a particular |
Cue | | A concluding scene in a play where the drama of the action. |
Actor | | What happens at the end of the play. |
Downstage | | This is the area toward the back of the stage, away from the |
House lights | | Stage smoke is produced by the vaporization of various oil based |
Monologue | | A designated break in a play. In cases where there is no |
Onstage | | A performer in a play. |
Batten | | The person who writes the play. In the case of living |
Stage makeup | | The person who directs the play. |
Intermission | | Short for the Latin ad libitum meaning ``freely." |
Cast | | A scenic design that includes three walls and sometimes a |
Box set | | What actors learn and speak on stage. The word is also used |
Blackout | | Frozen carbon dioxide used to produce stage mist. |
Rake | | The character who generates the main action of the story. |
Props | | This is the slope of the floor of an auditorium or, where |
Dialogue | | In its ordinary sense this refers to a group of musicians. |
Backdrop | | A tubular metal bar, sometimes known as a pipe,. |
Smoke | | This usually refers to the public areas of the theatre |
Protagonist | | A light left on when a theatre is closed for the night. |
Orchestra Pit | | A large piece of fabric hung down onto the stage floor. |
Ghost light | | This is an opening in the stage floor. In cases where the design |
Offstage | | Antagonists are present in almost every play. |
Break a leg | | A lengthy speech by a single character delivered to other |
Trap Room | | Narrow bridges above the stage from which scenery and lighting |
Act | | This is what actors get if they forget their lines. Some |
Auditorium | | This is a makeup used to shape and define actors' facial |
Front of House | | This term is now used in a variety of ways. All the plays in |
Antagonist | | A flat piece of painted scenery often consisting of a wooden frame. |
Scenery | | The scenery for a scene or entire production. In the latter case it |
Prompt | | The area behind and around the stage that it is unseen by the |
Set | | A colloquial term for a stagehand. |
Trap | | Conversation in a play. |
Playwright | | The acting area of the stage floor. |
Dry Ice | | These are the stage movements and positions that the director highlights. |
Legs | | A theatrical blackout |
Soliloquy | | A large drapery of painted canvas . |
Drop | | A friendly, customary encouragement term offered to performers. |
Lines | | A division in the performance of the play. |
Grip | | Technically this refers to all stage areas outside the visible |
Broadway | | Vertical curtains or flats used to hide the wings from view and |
Upstage | | Objects on the stage such as furniture that are not part of the |
Blocking | | The lights in the house or auditorium. Dimming of the |
Ad lib | | The space below the stage used for accessing traps. It is |
Orchestra | | The various flats, drops, etc. that are used to create a |
Backstage | | This is a notification to cast and crew of a rehearsal or |
Catwalk | | The famous theatre district of midtown Manhattan in which 32 |
House | | The front of the stage closest to the audience. |
Flat | | Strictly it's an enclosed space in which an audience gathers. |
Costume | | Where the Orchestra |
Curtain call | | The place where the audience sits to enjoy the performance on |
Repertory | | A prearranged sign that indicates to a performer |
Call | | The complement of actors in a play. |
Director | | This is a playwright's device for letting us know what's on a |