Cross | | All the circumstances (time, place, weather, past events, relationships, etc.) that affect a character’s actions in the play. |
Cheat | | What the character has to lose if he/she doesn’t achieve his/her objective. |
Gesture | | To play toward the audience while seeming to converse with others on stage. |
Backstage | | Imaginary wall between the stage and the audience. |
Relationship | | The connection between the characters, how they know/relate to one another. |
Cover | | To hide something from the audience, (usually a mistake.) |
Crew | | Conversation between two or more actors. |
Obstacle | | A large division of a play, a block of stage time. |
Tactics | | The actor’s version of “good luck,” derived form the days when a superior performance was rewarded by being invited to kneel before the king, thus bending (breaking) a leg. |
Blocking | | The driving force for the character, what he/she is after. The character’s goal in the scene. It is what your character wants, what they are fighting for, what their dream ending is. |
Callback | | What the character does to achieve the objective. |
Fourth Wall | | Dialogue or action made up by the actor. Often used in crowd scenes, or to cover a mistake. |
Aside | | All of an actor’s stage movements and positions. Where you move and when. |
Stakes | | The people who run the show backstage. |
Cast | | A character’s comments made directly to the audience rather than to the other characters on stage, (who supposedly don’t hear.) |
Audition | | Small division of a play within an act that marks a change of characters, place or action. |
Dialogue | | A movement of the body, or part of the body, to express or emphasize ideas, emotions, etc. |
Breakaleg | | A speech for one actor. (Often used for auditions). |
Scene | | To play toward the audience while seeming to converse with others on stage. |
Objective | | To move from one area of the stage to another. |
Act | | Detailed bits of stage action that help define a character, (for example: setting the table, knitting, flipping a coin, etc.) |
GivenCircumstances | | To increase intensity toward the climactic point of a monologue / scene / show. |
Monolgue | | The people in the show. The actors and actresses |
Counter | | The screening process of actors for the director – can be a prepared monologue or a reading of a scene given at the time of the audition. The actors job interview. |
AdLib | | Whatever stands in the way of a character’s goal or objective. |
Project | | A request from the director to see an actor again. |
Build | | Areas off stage that are beyond the audiences view. |
Business | | Speak louder (not screaming). |