repetition | | the time and place in which the story takes place |
style | | a person to whom secrets are confided or with whome private matters and problems are discussed |
oxymoron | | an outcome that turns out to be very different from what is expected |
point of view | | Opposition, or contrast of ideas or words in a balanced or parallel construction |
abstract | | something that has the appearance of being true or real. |
personification | | the people in the story |
characters | | What a pity that youth must be wasted on the young. George Bernard Shaw (literary device) |
satire | | I must be cruel only to be kind. Shakespeare, Hamlet (literary device) |
confidante | | to present an indication or a suggestion of beforehand |
resolution | | Apostrophe: when animals, inanimate objects, or ____ ideas are addressed directly. |
understatement | | implied comparison achieved through a figurative use of words; the word is used not in its literal sense, but in one analogous to it. |
hyperbole | | an event or scene taking place before the present time is inserted into the chronological structure of a text |
simile | | attribution of personality to an impersonal thing |
denouement | | expression of something which is contrary to the intended meaning; the words say one thing but mean another |
synecdoche | | an explicit comparison between two things using 'like' or 'as'. |
foil | | Justice hung her head (literary device) |
metonymy | | the entire sequence of events that occur in the story. |
symbol | | the overall message of the story |
euphemism | | saying less than is true. |
apostrophe | | When I am dead, I hope it may be said his sins were scarlet, but his books were read. (literary device) |
allusion | | the way the author writes |
euphemism | | Substitution of one word for another which it suggests. |
crisis | | universal inclusiveness in scope or range; unbounded versatility. |
personification | | Veni, vidi, vici. - Julius Caesar (literary device) |
antithesis | | a person or thing that makes another seem better by contrast |
pun | | a dominant mood or emotional tone |
paradox | | something used for or regarded as representing something else |
setting | | The glory that was Greece, the grandeur that was Rome. (literary device) |
synecdoche | | exaggeration for emphasis or for rhetorical effect |
antithesis | | Alliteration is the _______________ of the same sound begeinning several words in a sequence. |
irony | | reference to something else, usually some other literature. |
alliteration | | the final resolution of the intricacies of a plot |
theme | | the author's view of the characters and events. |
verisimilitude | | a dramatic emotional or circumstantial upheaval in a character's existence |
universality | | Losing his job meant he could sleep late. (literary device) |
atmosphere | | The U.S. won three gold medals. (Instead of, The members of the U.S. boxing team won three gold medals.) (literary device) |
metaphor | | apparent paradox achieved by the juxtaposition of words which seem to contradict one another. |
simile | | *Life's but a walking shadow; a poor player, that struts and frets his hour upon the stage. Shakespeare, Macbeth. (literary device) |
oxymoron | | the way in which the story ends |
climax | | an assertion seemingly opposed to common sense, but that may yet have some truth in it. |
allusion | | Roll on, thou deep and dark blue Ocean, roll! |
personification | | England expects every man to do his duty. Lord Nelson (literary device) |
plot | | the use of irony, sarcasm or ridicule in exposing folly |
paradox | | She has passed away (died) (literary device). |
understatement | | a passing or casual reference |
diction | | Brutus: Not that I loved Caesar less, but that I loved Rome more. Shakespeare, Julius Caesar (literary device) |
stereotype | | a simplified and standardized conception or image invested with special meaning and held in common by members of a group: ie: The cowboy and Indian |
allusion | | a _____ is a play on words. |
onomatopoeia | | use of words to imitate natural sounds; accommodation of sound to sense. |
flashback | | Reason is to faith as the eye to the telescope. D. Hume (literary device) |
foreshadowing | | style of speaking or writing as dependent upon choice of words |
verbal irony | | understanding one thing with another; the use of a part for the whole, or the whole for the part. (A form of metonymy.) |
situational irony | | The substitution of an agreeable or at least non-offensive expression for one whose plainer meaning might be harsh or unpleasant. |
metonymy | | a figure of speech in which what is said is the opposite of what is meant |
metaphor | | the point in the story when the characters try to solve the main problem |
pun | | The pen is mightier than the sword. (literary device) |