| SirThomasMalory | | pretended |
| peril | | example: Oh, where ha'e ye been, Lord Randall my son?" |
| satire | | searched through and robbed |
| adroitly | | physically or mentally skillful |
| timorous | | Sir Gawain and the ___ |
| Pardoner | | Medieval period in British Literature |
| anonymous | | subject of Morte d' Arthur |
| SirBedivere | | into parts or pieces |
| Green Knight | | common theme of folk ballads |
| feigned | | Canterbury Tale with theme: "the love of money is the root of all evil" |
| folkballad | | doing what is right |
| KingArthur | | legendary sword of King Arthur |
| ThomasBecket | | the repetition of key phrases in a ballad or poem |
| interred | | pleaded, asked or begged |
| hoary | | song-llike poem that tells a story |
| righteous | | buried |
| asunder | | the author of most early British folk ballads |
| directaddress | | "Get Up and Bar the Door" is more ___ than the three ballads |
| death | | author of The Canterbury Tales |
| largesse | | knight who is hesistant to throw Arthur's sword into the lake |
| ransacked | | conversation in folk ballads (or any literary work) |
| pilgrimage | | author of Morte d' Arthur |
| dialect | | form of language used by people from different regions |
| BarbaraAllan | | "The Twa Corbies" |
| GeoffreyChaucer | | gray haired and wise |
| MiddleAges | | danger |
| entreated | | literary device used by Chaucer to poke fun at people's flaws or weaknesses |
| humorous | | fearful or timid |
| refrain | | purpose for characters going to Canterbury |
| excalibur | | Archbishop of Canterbury was was murdered |
| dialogue | | nobility of spirit |
| tworavens | | which ballad focuses on the pain of lost love or love that is not returned |
