WOOD | | something used to hold two other pieces together like tape or glue |
PAPIER MACHE | | a sculpture that can be seen from all sides |
FREESTANDING | | female artist who used found objects and put them together; she used color to unify them |
MOBILE | | the feel of the sculpture surface |
CASTING | | paper and glue in layers to create a 3D object |
CONSTRUCTION | | American artist who invented the mobile |
GLASS | | Renaissance sculptor who believed there was a figure in every stone |
TEXTURE | | sculpture that moves |
NEVELSON | | Pouring liquid into a mold to make an exact likeness of the mold |
STABILE | | gold, silver, bronze, copper, brass, stainless steel |
MOORE | | a sculpture that is meant to be seen from one side only |
MICHELANGELO | | sculpture that doesn't move |
ADDITIVE | | carve; to take away from the media to make sculpture |
METAL | | marble, granite, quartz, rock |
SUBTRACTIVE | | to put together media that will stay by itself like clay |
BINDER | | the 3D element that sculpture uses |
RELIEF | | this media comes from trees |
FORM | | British sculptor who did simplified sculptures; favorite subject was reclining females |
CALDER | | silica melts to form this |
STONE | | assembling/putting together media with a binder |