courbet | | The most important Impressionist painter and the title of one of his paintings provided the source for the name "Impressionism" |
rodin | | Term given to movement after Impressionism, who wanted to give expression to ideas and emotions, and are characterized by flatter compositions primitivism, and more visible brushwork |
matisse | | Name for the established art organization of the nineteenth century |
delacroix | | Was concerned with the plight of urban poor and his satirical political cartoons |
Romanticism | | Used thick impasto to introduce a new type of three dimensionality to the painting surface |
Gericault | | Considered an important bridge artist between the 19th and 20th centuries and his new style that focuses on composition rather than detail provides the basis for Cubism |
seurat | | Movement in which subject matter and social issues are based in reality but not necessarily the visual painting style |
manet | | Founder of the Fauvist movement and pursued the expressive nature of color |
david | | Was very influenced by photography and often focused on motion, specifically danders, in his paintings and sculptures |
bouguereau | | Painted barbaric events in war and the grotesque side of human nature |
barbizon | | Early school that included artists working outdoors in nature and that also accepted landscapes and nature as suitable subject matter |
Daumier | | The most accomplished and important ;ate 19th century Academy painter |
degas | | Painted portraits of "low class" members of society as well as Romantic images contemporary events |
rousseau | | Depicted both the heroic and horrific aspects fo war in Liberty Leading her People |
Cezanne | | Was influential (especially his studies) on later artists and supported other artists by letting them study his works that went out into nature and produced |
ingres | | Movement that embraced the ideal of classical concepts |
Renoir | | A Post-Impressionist who focused on the expressive qualities of colors and started to use color as a subject in his paintings as opposed to just a formal element |
monet | | Painted in both a Neo-Classical and a Romantic style |
realism | | Painted in a Neo-Classical style and supported the French revolution |
Post-Impressionism | | A sculptor who was influenced by the emotionally expressive nature of Michelangelo's work |
Academy | | The first and most important artist of the REalist movement |
van gogh | | An impressionist painter that often focused on people or groups of people |
Neo-Classical | | Developed the Pointillism or Neo-Impressionism style |
pissarro | | Movement which wanted to investigate the effects of light and shadow and how light affects colors |
Impressionism | | A woman artist closely associated with the Impressionists |
gauguin | | Movement that focused on the barbaric nature of man and featured turbulent stormy skies |
cassatt | | Known as the Father of Impressionism |
goya | | created great controversy with paintings such as Olympia and Le Deujenur sur I'herbe, yet wanted to be accepted by the Academy |
corot | | Believed he was a technically masterful painter and was an inspiration for later surrealists |