Rhythm | | Used to help create an illusion of depth |
Foreground | | Where shapes do not exist |
Leading Lines | | Used to draw the viewers eye through the composition or to the main subject |
Frame | | A composition that is most likely asymmetrical but does not feel unbalanced |
Tension | | You should always make sure that your horizon line is |
Vanishing Point | | The best type of composition to make sure your viewer can determine your main subject |
Composition | | The edges of a photograph |
Asymmetrical | | Can divide, unify, or accent certain parts of a composition |
Diagonal Line | | Repeating of elements within an image that have a similar shape |
Curved Line | | An image that is hard to determine the main subject |
Horizon Line | | The front of the photo |
Complex | | Two or more lines that travel in space at an equal distance from each other never touching |
Parallel | | The center part of an image |
Middle Ground | | A composition that is equal on both sides |
Negative Space | | Where shapes exist |
Background | | Has to do with the relationship of your subject to the edge of the frame |
Symmetrical | | The compositional elements and the arrangement of them to achieve an effect |
Main Subject | | Where the sky and the sea meet |
Balance | | The object that is the center of your photograph. What your photograph is 'about' |
Straight | | The point at which parallel lines, viewed from an angle appear to converge. |
Simple | | Used to draw the viewers eye through the composition or to the main subject |
Positive Space | | A composition that is not equal on both sides |
Lines | | The back part of the photograph |