Artist | | A line which shows or describes the edges, ridges or outline of a shape or form |
Collage | | In a scene or artwork, the part that seems closest to the viewer |
Mixed Media | | A change in form, shape, detail or appearance that makes an object different from others |
Contrast | | The common name of a color in relation to the color spectrum, such as yellow, red, blue. Also known as Hue |
Firing | | The part of the artwork that is most powerful, important or has the most influence on the viewer |
Linear Perspective | | A hollow shape used to make one or many copies of an object |
Rhythm | | A principle of design that describes the arrangement of parts of an artwork |
Score | | Ceramic that has been fired once without being glazed |
Contour | | The process of adding heat to clay object in order to harden it permanently |
Foreground | | A form of visual rhythm created in an artwork by repeating two or more different artistic elements, one beside or near the other |
Primary Colors | | A system of drawing used to give a flat surface dimension and depth that uses vanishing points |
Variety | | The plan, organization, or arrangement of elements in a work of art |
Cartoon | | A process used to get air out bubbles out of clay |
Medium | | In painting, a thin layer of transparent paint. In ceramics, a thin coating of minerals fused to clay by firing |
Color Wheel | | One of three basic colors (red, yellow, blue) that cannot be made by mixing any other color |
Bisque | | A type of visual balance in which the two sides of a composition are different yet balanced |
Mold | | The material and technique used by and artist to create a work of art. |
Wedging | | A term used in art for the actual measurements of length, width, and depth |
Secondary Colors | | An area of an artwork that attracts the viewer’s attention |
Charcoal | | The background of an artwork |
Composition | | A thin liquid applied to a surface to help prevent smearing, flaking or fading |
Balance | | A work of art created by gluing bits of paper, fabrics, scraps, photographs, or other materials to a flat surface |
Freehand | | Any three-dimensional object |
Space | | A color made by mixing two equal amounts of two primary colors |
Modeling | | The process and the result of thinking carefully about art |
Value | | A feeling that all parts of a design are working together as a team |
Portfolio | | The common name of a color in or related to the color spectrum |
Background | | An element of art that means the darkness or lightness of a surface |
Focal Point | | Any coloring matter, usually a fine powder, mixed with a liquid or binder to make paint, ink, dyes or crayons |
Figure | | A large difference between two things: for example, rough and smooth, yellow and purple, and light and shadow. Contrast usually adds excitement |
Form | | A gradual, smooth change, as in from light to dark, from rough to smooth, or from one color to another |
Alternating | | A type of visual or actual movement in an artwork |
Slip | | Colors that are directly opposite each other on the color wheel When complements are mixed together they make a neutral brown or gray |
Complementary | | Parts of the artwork that appear to be in the distance or behind the objects in the foreground |
Ceramics | | A general term for any shape or form that we see as part separate from the background |
Sculpture | | A curricular chart of colors of the visible color spectrum. It is commonly used to remember color relationships when working with pigments |
Fixative | | A mark created by a point that moves across a surface |
Dimension | | A line, shape or texture created by putting paint on a surface with a paint brush |
Pigment | | Area in a work of art that catches the eye of the viewer |
Kiln | | A sample of an artist’s work |
Ground | | To create, form or design something by arranging separate parts to create a whole |
Art Criticism | | A soft drawing material made from charred wood or vines |
Design | | A person skilled in creating artwork |
Color | | Clay combined with water or vinegar, to form a thick liquid. Slip is used on scored areas of clay to join pieces of clay together |
Media | | The relation of one object to another |
Unity | | A full-sized drawing used as a plan for a painting, especially for a mural. It can also be a funny drawing that tells a story |
Glaze | | An oven similar to a furnace used to fire ceramics |
Asymmetrical | | The result of an artist’s means of expression – the use of materials, design qualities, methods of work, and choice of subject matter |
Dominant | | The art of making artwork with clay |
Gradation | | A drawing done without tracing paper or drawing tools such as a ruler or compass |
Hue | | The empty or open area between, around, above, below, or within objects |
Line | | A temporary show or display of a group of artworks |
Style | | Any artwork that is made with more than one medium |
Proportion | | In clay work, artists score groves or make scratched into surfaces of clay that will be joined |
Matte | | A sculpture technique in which a three-dimensional form is shaped in a soft material such as clay |
Brushstrokes | | A work of art with three dimensions |
Exhibit | | Plural of medium. The materials used by an artist and the special techniques that make their use expressive |
Emphasis | | Having a dull texture. Opposite of glossy and shiny. |