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Across 3. Ballet responsible for establishing Balanchine's classical "look" (costumes and style); Ballet that defined Stravinsky's novel composition style; Defined the sets and background style of mythological ballets 5. Designed the costumes for Apollo; responsible for shortening the costumes of the ballet world 8. style of dance that comes from the mythological ballets 10. Set of three ballets choreographed by Balanchine that brought acceptance of a plain, monochromatic backdrop; placed emphasis on the choreography rather than extravagant sets and costumes 12. Muse of mime 13. Goddess of the hunt 16. Wife of Orpheus 17. First ballet to mesh a true mythological style with the classics of ballet; responsible for the public acceptance of mythological ballets

Down 1. Muse of poetry 2. Symbol of Diana; prop found in many mythological ballets 4. Father of the neoclassical syle; choreographed the "trilogy" of the mythological ballets 6. God of music; Leader of the muses; Ballet considered the birth of the Balanchine style and the turning point in Balanchine’s career 7. Muse of dance; preffered muse of Apollo 9. Responsbile for choreographing today’s practiced version of Diana and Acteon 11. Composer of Balanchine's "trilogy"; created the style of the music found in mythological ballets 14. Ballet that combined the themes of romance and passion from the ballet classics with mythology 15. Original choreographer of Diana and Acteon