Across |
1. | The second voice added above the foundation note |
4. | The most musically elaborate of the Liturgy of the Hours |
5. | Liturgy of the hours prayed at mid-afternoon, around 3 PM |
6. | Plagal mode of the fourth authentic church mode |
8. | Liturgy of the hours prayed at noon |
11. | The third part of the ordinary of the Mass, "We believe in one God...:; Four words |
15. | Liturgy of the hours prayed at mid-morning, around 9 AM |
16. | Religious music in the Middle Ages was almost entirely ____________, or sung. |
20. | Liturgy of the hours prayed just after midnight |
21. | Secular musicians from the Southern part of France |
22. | Earliest polyphony, created by adding a second voice part to a chant |
26. | Music written in strophic form and based on folk tunes, meant to be sung by a congregation |
27. | Music where two or more melodic lines are played or sung |
29. | The first part of the ordinary of the Mass, "Lord have mercy"; two words |
30. | The fourth part of the ordinary of the Mass, "Holy, Holy, Holy" |
32. | Fourth authentic church mode |
35. | The plagal mode of the first authentic |
36. | Second authentic church mode |
38. | First authentic church mode |
39. | Each of the four church modes occurs in two different versions, the authentic and the __________. |
41. | Type of music which developed as the vocal lines became freer |
42. | From the French word for "to hold", the long sustained foundation note |
43. | The Catholic church service |
44. | The fifth part of the ordinary of the Mass, "Lamb of God"; Two words |