Theatre Production Staff
Sandra Camphor
Terms associated with the technical side of a theatre production.
i | i | r | l | e | e | r | e | t | p | m | o | r | p | e | r | o | o | u | d | u | b | c | u | a | c |
o | n | e | i | a | t | u | l | c | e | d | m | n | e | a | r | i | a | d | s | e | t | e | e | p | r |
c | l | m | e | l | s | e | i | a | r | k | m | a | t | g | a | s | g | e | s | d | c | e | r | l | n |
o | r | l | a | n | d | r | x | s | s | p | i | r | g | e | a | e | g | m | u | n | o | d | r | l | o |
l | i | i | a | s | u | r | a | t | h | r | r | e | d | n | a | n | p | r | s | e | r | f | e | l | e |
d | i | m | r | c | t | r | p | e | u | i | a | o | d | i | g | a | a | s | h | r | i | a | g | p | a |
r | e | e | e | t | n | e | o | r | h | a | a | e | d | l | d | i | t | m | o | r | e | s | a | u | e |
e | s | e | n | s | p | i | r | t | o | e | l | e | h | u | u | e | r | t | e | a | u | p | n | b | c |
a | r | r | g | r | l | c | a | p | c | p | r | t | e | e | c | s | c | g | o | g | b | t | a | r | o |
d | p | i | i | c | t | i | i | t | r | e | e | g | r | h | r | e | n | i | n | c | a | l | m | a | n |
i | c | r | s | l | a | r | d | u | r | o | r | r | n | y | r | g | r | n | s | e | p | t | s | c | e |
n | p | r | e | p | a | r | e | d | a | u | d | i | t | i | o | n | n | h | g | u | a | d | s | t | t |
g | r | k | d | o | m | a | e | a | i | c | c | u | d | i | h | u | s | i | b | c | d | a | e | k | e |
r | r | t | c | i | p | y | m | t | t | a | l | t | c | l | e | s | t | l | k | n | r | t | n | d | e |
e | n | o | i | t | i | d | u | a | l | a | n | o | i | t | a | s | i | v | o | r | p | m | i | i | s |
h | o | c | n | i | s | a | s | r | m | a | d | r | s | a | i | c | c | l | e | a | o | t | s | g | l |
e | i | e | e | d | i | r | e | c | t | o | r | t | k | e | i | o | i | h | o | w | a | w | u | e | e |
a | t | s | c | h | l | h | r | s | a | l | n | t | s | t | d | c | n | n | i | p | i | i | b | r | r |
r | i | o | s | o | e | e | i | g | u | e | e | s | y | b | a | a | o | s | h | e | l | r | a | a | r |
s | d | l | s | a | p | s | r | i | e | c | a | m | s | s | d | l | u | n | c | c | f | a | c | l | r |
a | u | d | r | e | s | s | r | e | h | e | a | r | s | a | l | l | m | d | a | h | e | r | g | i | r |
l | a | s | r | a | e | h | e | r | g | n | i | k | c | o | l | b | c | r | i | c | e | t | g | d | h |
l | a | s | r | a | t | n | o | c | a | g | a | d | p | t | r | a | m | e | a | t | r | d | i | a | s |
l | o | h | u | u | a | h | e | g | e | a | i | i | p | l | p | c | p | n | n | l | i | m | u | t | t |
o | e | r | h | o | u | s | e | m | a | n | a | g | e | r | r | k | a | t | o | c | r | o | d | l | u |
s | i | p | r | s | p | r | o | m | p | t | b | o | o | k | l | s | t | d | y | s | i | s | n | a | e |
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assistant director
audition
blocking rehearsal
business manager
callbacks
closed audition
cold reading
curtain call
director
dress rehearsal
grips
house manager
improvisational audition
master production schedule
polishing rehearsal
prepared audition
producer
promptbook
prompter
properties chief
publicity manager
reading rehearsal
resume
scenic designer
stage manager
technical director
technical rehearsal
textual tryout
warn cue
working rehearsal
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