Theatre terms
terms frequently used by actors and directors
c | m | a | s | n | a | a | d | p | r | p | f | r | c | e | o | r | m | r | g | s |
k | p | a | e | p | p | a | s | g | t | l | a | d | n | r | t | d | e | c | y | l |
g | s | e | s | m | r | o | f | t | a | l | p | r | o | p | s | i | b | e | u | e |
s | e | a | d | k | e | o | i | t | s | e | m | u | t | s | o | c | r | n | q | e |
w | g | n | e | f | l | g | s | n | o | i | t | i | d | u | a | t | u | t | o | n |
i | a | r | g | a | i | c | a | c | p | o | n | f | e | a | s | i | d | e | l | i |
n | t | s | a | l | m | g | n | t | e | u | g | o | l | o | n | o | m | r | i | l |
g | s | a | t | l | i | n | o | o | s | n | t | c | g | y | i | n | u | o | l | n |
s | p | g | s | i | n | i | i | e | i | e | i | n | y | a | l | n | l | a | o | i |
c | u | r | k | n | a | k | t | a | x | t | h | u | s | c | t | o | c | i | s | a |
e | c | e | c | g | r | c | i | t | m | g | c | t | m | h | l | n | f | e | v | t |
n | o | g | a | a | y | o | s | o | k | d | r | a | r | y | i | o | a | t | o | r |
e | n | a | b | c | s | l | o | t | s | i | n | o | g | a | t | o | r | p | l | u |
m | c | n | l | t | i | b | p | o | k | i | u | a | t | n | e | h | s | a | u | c |
t | l | a | l | i | t | n | x | e | n | g | s | r | r | o | i | l | e | g | m | i |
g | u | m | a | o | u | g | e | u | h | o | u | e | a | g | a | s | c | m | e | a |
g | s | e | c | n | a | t | s | m | u | c | r | i | c | n | e | v | i | g | e | l |
i | i | g | s | e | t | t | i | n | g | a | r | p | b | a | c | k | d | r | o | p |
w | o | a | f | d | i | a | l | o | g | u | e | o | a | d | l | i | b | n | r | n |
i | n | t | s | f | o | c | u | s | p | h | o | u | s | e | a | p | n | i | r | h |
o | a | s | s | e | n | i | s | u | b | e | g | a | t | s | n | w | o | d | s | u |
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auditions
call backs
clear the stage
places
strike
run through
curtain call
flats
props
platforms
costumes
mask
dark
stage manager
dialogue
text
exposition
rising action
falling action
protagonist
antagonist
theme
setting
monologue
soliloquy
act
scene
stage business
diction
cue
ad lib
volume
focus
aside
given circumstances
upstage
downstage
cross
blocking
center
wings
proscenium
apron
backstage
house
backdrop
grand main
legs
trap
cyclorama
fly loft
curtain line
preliminary situation
conclusion
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