HYPERBOLE: | | a figure of speech that uses an incredible exaggeration or overstatement, for effect. |
INVERSION: | | a narrator who is totally impersonal and objective tells the story, with no comment on any characters or events. |
DRAMATIC IRONY: | | the central character in a story, the one who initiates or drives the action. |
SITUATIONAL IRONY: | | is so called because it is often used on stage. A character in the play or story thinks one thing is true, but the audience or reader knows better. |
JUXTAPOSITION: | | a statement that appears self-contradictory, but that reveals a kind of truth. |
LITOTES: | | is a form of understatement in which the positive form is emphasized through the negation of a negative form |
METAPHOR: | | a figure of speech that makes a comparison between two unlike things without the use of such specific words of comparison as like, as, than, or resembles. |
METONYMY: | | an omniscient or all-knowing narrator tells the story, also using the third person pronouns. |
MOTIVATION: | | the repetition of words or phrases that have similar grammatical structures. |
PARABLE: | | a figure of speech in which a person, place, or thing, is referred to by something closely associated with it. |
OMNISCIENT POINT OF VIEW: | | the reasons for a character’s behavior. |
OBJECTIVE POINT OF VIEW: | | a relatively short story that teaches a moral, or lesson about how to lead a good life. |
PARALLEL STRUCTURE: | | takes place when there is a discrepancy between what is expected to happen, or what would be appropriate to happen, and what really does happen. |
PROTAGONIST: | | the reversal of the normal word order in a sentence or phrase. |
PARADOX: | | poetic and rhetorical device in which normally unassociated ideas, words, or phrases are placed next to one another, creating an effect of surprise and wit. |